Wilson das Neves

No written introduction could do justice to Wilson das Neves. Instead, just listen to the veteran percussionist's wide repertoire and the history almost spills itself out in the syncopated beats of his bass and snare drums.

       Apt and sharp, the Rio de Janeiro-born das Neves got on the drum set from an early age, fascinating peers and mentors with such talent that he eventually but rapidly moved from a position in the Perminio Goncalves orchestra to the Os Ipanemas band in the '60s within a few short years. Os Ipanemas became one of the most seminal samba and bossa nova groups, helping to set the tone for the sound. Later, he held a regular spot as part of Chico Buarque's band, while continuing to play for other major artists including Roberto Carlos, Toots Thielemans and Sarah Vaughn.

       Many young Americans got their introduction to das Neves through 2002's Brasilintime, an ambitious documentary that united DJs/producers like Cut Chemist and Madlib with old-school drummers to bring the influence of '60s and '70s Brazilian music on hip-hop to life. Das Neves was an enthusiastic participant throughout, and his body was composed and hands steady while he played.

       Today, das Neves is still as active as ever. He's about to release his new solo album (his third as a singer and composer), Pra Gente Fazer Mais Um Samba (Totolo Records), and also recently finished recording the third Os Ipanemas LP. Das Neves has also rejoined the Imperial Orchestra, a group with whom he used to play, on tour. Look for them in your city.




How has foreign interest in Brazilian music influenced or changed you and other musicians in the country?

It's been happening over a long time. [With the documentary Brasil in Time,] we learned a lot, in the exchange of ideas. There was a lack of a way to publicize music of good quality. Artists came and recorded, were successes but we wouldn't know about it because the record was released outside of the country.



You're 73 years old. How do you feel?

I feel good. No problem [laughs].



What do you miss from the old days?

The things I can't do anymore [laughs]. Everything else is good, amazing.



Why did you wait until 97 to release your own solo record?

Because I never got an invite to record. I was hoping for one, but they finally called me to do one.



What do you like about being in a band as opposed to playing on your own?

It's rejuvenating. I recharge my batteries.



What's your third album like?

I love the work. I'm really satisfied, it's good work.



How do you divide your time between all your projects?

None interferes with other. I can handle them all. The more we can have, the more we can do, right?



How do you spend your free time?

Making music. Depending on my state of mind. I watch soccer, go to the movies.